 Find more pictures from cut scenes in the Image Gallery under "Misc movie"
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301 ANGLE ON ROSE, at the railing of the Carpathia, 9pm April 18th. She gazes up at the Statue of Liberty, looking
just as it does today, welcoming her home with her glowing torch. It is just as Fabrizio saw it, so clearly, in his
mind.
LATER CARPATHIA DISGORGES THE SURVIVORS at the Cunard pier, Pier 54. Over 30,000 people line the dock
and fill the surrounding streets. The magnesium flashes of the photographers go off like small
bombs, lighting an amazing tableau.
Several hundred police keep the mob back. The dock is packed with friends and relatives, officials,
ambulances, and the press --
Reporters and photographers swarm everywhere... 6 deep at the foot of the gangways, lining the tops
of cars and trucks... it is the 1912 equivalent of a media circus. They jostle to get close to the
survivors, tugging on them as they pass and shouting over each other to ask them questions.
Rose is covered with a woollen shawl and walking with a group of steerage passengers. Immigration
officers are asking them questions as they come off the gangway.
IMMIGRATION OFFICER
Name?
ROSE
Dawson. Rose Dawson.
The officer steers her toward a holding area for processing. Rose walks forward with the dazed
immigrants. The BOOM! of photographers' magnesium flashes cause them to flinch, and the glare is
blinding. There is a sudden disturbance near her as two men burst through the cordon, running to
embrace an older woman among the survivors, who cries out with joy. The reporters converge on this
emotional scene, and flashes explode.
Rose uses this moment to slip away into the crowd. She pushes through the jostling people, moving
with purpose, and none challenges her in the confusion.
OLD ROSE (V.O.)
Can you exchange one life for another? A caterpillar turns into a butterfly. If a mindless
insect can do it, why couldn't I? Was it any more unimaginable than the sinking of the Titanic?
TRACKING WITH HER as she walks away, further and further until the flashes and the roar are far
behind her, and she is still walking, determined.
CUT TO:
303 INT. IMAGING SHACK / KELDYSH
Old Rose sits with the group in the Imaging Shack, lit by the blue glow of the screens. She holds the haircomb with the jade butterfly on the handle in her gnarled hands.
BODINE
We never found anything on Jack. There's no record of him at all.
Why this scene was cut: Since the budget ran so high, this scene was cut due to the
expense for having almost 1,000 extras and so forth brought to New York to
film a 30 second clip. Old Rose's voice-over was cut because Cameron decided not to have the butterfly theme (the flying scene, her butterfly comb, and her kimono) quite so blatant.
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